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He is quickly revealed as a valuable warrior, and, through various plot twists, becomes the key to saving China from the Tao Tei, the supernatural beasts attacking the Wall.
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When the movie begins, Damon's hero, William, stumbles onto the Great Wall of China with his friend, Tovar (Pedro Pascal), and is taken prisoner by the Nameless Order, a mysterious and enormous military force guarding the wall. Yet while The Great Wall's white savior narrative is undoubtedly problematic, the film actually succeeds in providing unprecedented visibility to an Asian cast in Hollywood. There's very little credible defense there - the idea of a white man protecting the Chinese is an extremely frustrating and offensive storyline.
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The main point of contention - a white star playing the hero of China - has been front and center leading up to the movie's American release, and in interview after interview, Damon has defended the movie against accusations of whitewashing and of perpetuating a white savior narrative. ‘The Great Wall’ is not exactly a good movie – but it’s a pretty enjoyable one.The first massive China-Hollywood co-production starring worldwide star Matt Damon, The Great Wall has been a bit of a lightening rod for controversy. And Damon is good value, his avuncular charm adding intimacy to what could have been an empty spectacle. There are some fun ideas, too: bungee-diving spear warriors who dive from the top of the wall a climactic battle in a stained-glass tower, drenching the screen with colour. Zhang’s camerawork is kinetic, throwing us into the heart of the action, and the martial arts choreography is spectacular. Keep your expectations moderate, and there’s plenty to enjoy. It’s basically ‘Krull’ with a budget.īut that’s not necessarily a bad thing. But with its half-baked mythology and clunky dialogue, ‘The Great Wall’ has more in common with classic 1980s fantasy. The touchstone is clearly meant to be ‘Game of Thrones’: big wall, evil creatures, ancient order, unlikely hero. The special effects aren’t always great, either, the opening CG helicopter shot through the wall recalling those old brick-maze screensavers you used to get on Windows. Rarely has the question, ’But why didn’t they just do that before?’ been so pertinent quite so often. And let’s face it, Damon's casting makes sound financial sense – the man’s a global star.īut that kind of logic is sorely lacking in the movie itself. There was a fuss when it was announced that Matt Damon would play the lead – would the film perpetuate crude, ‘Blood Diamond’-style myths of the great white saviour? Such fears prove unfounded: at best he’s a co-saviour, his grizzled mercenary William working alongside Commander Lin (Jing Tian) and her army of noble Chinese warriors to repel an attack against the titular barricade by a race of marauding reptiles. But in the hands of once-great director Zhang Yimou (‘Raise the Red Lantern’, ‘House of Flying Daggers’), it does at least manage to be entertaining, and occasionally even thrilling. Guaranteed neither to offend nor confuse audiences from Beijing to Boston, this is as much a trade deal as a creative endeavour. If the future of Hollywood lies to the East, we should all get very comfortable with crowd-pleasing, cross-cultural action blockbusters like ‘The Great Wall’.